Celebrity Music: On the Runway: At the Grammys, Sisters Dressing for Themselves

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Celebrity Music: On the Runway: At the Grammys, Sisters Dressing for Themselves

Celebrity Music:

From Cardi B on the half shell to Michelle Obama in a silver lounge swimsuit and a barefoot Alicia Keys, girls were entrance and center.

It’s that you may perhaps presumably presumably focal level on that basically the most out-there 2d of model week took living Sunday night 1000’s of miles some distance flung from the New York catwalks — sorry, red carpet — at the Staples Heart in Los Angeles.

I’m talking, obviously, of Cardi B’s Grammys entrance as Venus rising from her clam in traditional Thierry Mugler (circa 1995), her top half covered in a nude physique swimsuit and molded bustier, her bottom half in gloomy velvet that exploded true into a red satin abalone frame spherical her pearl-encrusted waist.

It used to be a small bit absurd and a small bit unwalkable and deep within the realm of costume. (She later changed into but another traditional Mugler, an off-the-shoulder white costume with flooring-dimension fringe, the better to salvage it to the stage to determine on up her Grammy for simplest rap album.) However as an image of female efficiency and coming into one’s have, it used to be inconceivable to fail to see.

Each and each now and then, you’ve magnificent obtained to salvage out of your shell.

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From left: Jennifer Lopez, Janelle Monáe and Alicia Keys.CreditFrom Left: Nina Prommer/EPA, by Shutterstock; Valerie Macon/Agence France-Presse-Getty Photos; Kevin Frosty weather/Getty Photos for The Recording Academy

Along with Janelle Monáe’s flying buttress Jean-Paul Gaultier minidress and flying sq. hat, it used to be a reminder that red carpet model is at its most intelligent when it’s about statement-making of the very personal kind — when clothing on the red carpet used to be unabashedly performative rather than protective.

Halfway thru a capability week in New York that, Telfar apart, has been seriously sedate, and now that the film world appears to acquire effectively traded self-actualization for the industrial safety of stamp marketing, it’s price remembering.

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Girl Gaga wearing Celine by Hedi Slimane.CreditLucy Nicholson/Reuters

Even if Girl Gaga, the frail dress provocateur, appears to acquire blandified herself into haute Oscar acceptability. Used to be it handiest 2011 when she made her Grammys entrance in a translucent egg? She has gone from there to understated Saint Laurent column in eight years.

It’s a shuffle, of a style — and one who is presumably her different, which is the level. If she now needs to clarify herself in silver disguise terms rather than meat apparel, that’s her prerogative. Though the jewel-encrusted unitard she wore to remark “Shallow,” which hinted at about a of the appears to be of yesteryear, made me omit the more jaw-losing moments.

Tranquil, if there used to be any staunch takeaway from the Grammys model, it used to be the vary of kinds on exhibit on an evening that lastly put girls entrance and center.

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Put up Malone, nominated for four awards, including memoir of the year for “Rockstar” and album of the year for “Beerbongs & Bentleys.”CreditJordan Strauss/Invision, by Linked Press
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Leon Bridges, nominated for simplest R&B album for “Correct Thing,” wearing Bode.CreditJon Kopaloff/Getty Photos

With the exception of Put up Malone in his red swimsuit covered in rhinestone stars and Leon Bridges in his custom-made-made mustard Bode covered in personal totems, the males, who were peacocking their scheme thru the Hollywood awards season, were relatively restrained. (View: Drake in his gloomy Tom Ford turtleneck and cashmere overcoat. View also: Donald Glover, who won a Grammy but didn’t even unique up.) The girls, however, did their have ingredient. Sisters, dressing the scheme they are searching to decorate.

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CreditKevin Frosty weather/Getty Photos

You can stumble on it from the launch, when Michelle Obama (Michelle Obama!) took to the stage in a hammered silver sequin Sachin & Babi wrap jacket and trousers — phase armor, phase lounge swimsuit — persevering with her submit-White Home/guide tour-material cupboard breakout. She joined the host Alicia Keys, who did relative understatement (good she changed apparel more than one instances, but she also had a barefoot 2d) in red and then teal green and then gloomy; Gaga in her silver; Jada Pinkett Smith, who did gentle-time glamour in feathered Roberto Cavalli; and J. Lo, who did thriller in a large white hat — all to acquire time the energy of song.

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From left: Katy Perry, Jada Pinkett Smith and Anna Kendrick. CreditFrom left: Jon Kopaloff/Getty Photos; Nina Prommer/EPA, by Shutterstock; Valerie Macon/Agence France-Presse-Getty Photos

And that you can stumble on it in Dolly Parton, who did herself in ruffly red and then physique-hugging white lace and sparkles to operate. In Diana Ross, who did beefy-on diva within the stage-swallowing biggest dress of the night (she’s earned it). In Katy Perry, who did bulbous ruffles in red Balmain (there used to be a quantity of red), which both made her conception a small love a hedge and used to be manufacture of toned down (for her). In Miley Cyrus and her tux (Mugler) and the yellow floral trouser swimsuit she wore to operate with Dolly (Valentino couture). Within the Coach jumpsuit with better than 25 forms of crystals and paillettes that H.E.R. wore on the red carpet.

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Dolly Parton used to be honored at the Grammys.CreditKevin Frosty weather/Getty Photos North The usa, by (Credit Too Prolonged, View Caption
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Diana Ross used to be honored with a lifetime achievement award.CreditKevin Frosty weather/Getty Photos North The usa, by (Credit Too Prolonged, View Caption

Like them or no longer, they spoke to the indisputable truth that song may perhaps perhaps well additionally very effectively be the final refuge of the model threat-taker. It’s definitely one of the indispensable few large identify-adjacent industries that has managed no longer to salvage indebted to the “ambassador of XX dwelling” machine; the put apparel light again at the pleasure of the massive identify, as against the assorted scheme spherical.

That is, after all, how they’d light again us all.

Vanessa Friedman is The Times’s model director and chief model critic. She used to be previously the model editor of the Financial Times. @VVFriedman