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Vaughan Oliver, the graphic dressmaker whose work defined the 4AD file set, has died. He used to be 62. His ethereal, surreal, excellent album artwork for The Pixies, Cocteau Twins, This Mortal Coil, and Clan of Xymox introduced collectively earn and song in a vogue that forever modified and elevated the earn of song packaging. From The Guardian:

Oliver, born in 1957, grew up in County Durham and studied graphic earn at Newcastle-upon-Tyne Polytechnic. “I was a working class lad from a slow metropolis,” he acknowledged in 2014. “There used to be no staunch custom, my oldsters delight in been no longer with out a doubt attracted to anything outlandish – all the pieces I was getting used to be through file sleeves. It used to be a democratic manner of discovering artwork.”

He moved to London and in 1982 became the first employee for the file set 4AD. As their in-house dressmaker, he created artwork that helped outline them as purveyors of darkish and complicated alt-rock song; with their clashing fonts and boldly allusive but mysterious symbolism, his sleeves became a pair of of basically the most revered in contemporary pop. “I appreciate to raise the banal through surrealism,” he acknowledged in 2014. “Thriller and ambiguity are major weapons in a dressmaker’s arsenal.”

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