The artwork of Mazaccio & Drowilal takes internet fodder as its fuel, and within the plan asks us to come all over twice. Whether or no longer it’s IRL gentle lifes of desktop icons, canines staring wistfully into sunsets, or huge title snapshots defaced with paint and tape, the duo’s area area topic is universally acquainted to any individual who’s chanced on themselves in a thumb scroll wormhole, and that’s precisely the point. “We aim to address the project of listing abundance that is generating our imaginative and prescient of the world,” explains Robert Drowilal, one 1/2 of the studio with Elise. “We try and analyse appeal processes and come all over how cultural industries form dreams and identities by the exercise of leisure and the art of storytelling.”
Aptly, Robert describes each their upbringings within the 90s as fairly internet obsessed. They were each born within the unhurried 80s within the rural south of France nation-reveal, which Drowilal describes as “cultural deserts… there had been no museums, the theatre only performed three motion pictures… we were ravenous for cultural mumble”. So when house internet obtain entry to arrived within the mid 90s, “it used to be insane,” he recounts of an generation spent downloading every movie, game, file and comic he could well well manage. “It used to be a bit brainwashing, because I used to be on a drip of American soft vitality”. Now, his and Elise’s work is an “endeavor of deconstruction” of those influences, he says.
The 2 met in 2006 and commenced participating in 2009 in Paris, sharing an pastime for art and photo books, and thanks to the this truth starting up out with the imaginative and prescient of mixing and editing their very delight in pictures, forgoing particular person authorship. This soon expanded to the exercise of pictures taken by others. “In this sense, our medium became no longer so powerful pictures as the image itself,” says Robert. They published plenty of books sooner than being invited to uncover their collaborative artworks, and delight in since practiced as a partnership.
Collage regarded “obvious” as a cooperative format, and has became the cornerstone of Mazaccio & Drowilal’s output. The past decade has seen plenty of collage sequence including Paparazzi, exhibiting slice-outs of celebrities doing the an identical assignment, as an instance taking a selfie; Vanitas, gentle lifes made of desktop icons, The Canine’s Simplest Friend, exhibiting canines ga