Best Nyc Shows Right Now – “Parade” is not exactly screaming for a big Broadway musical treatment, this disturbing story of Leo Frank, accused of the rape and murder of a teenage girl and an anti-Semitic mob in 1915 Georgia. However, the original 1998 production won Tony Awards for the book by Alfred Ohry, and the score by Jason Robert Brown. Almost 25 years later, Michael Arden directed a well-received production at New York City Center with Ben Platt, in Blink and Miss You. Fortunately, the production is headed to Broadway, with Platt as Frank and Michaela Diamond as his wife, Lucille.
When crops begin to fail in the small town of Cobb County, an expert “grain doctor” arrives to help, but is he really a salesman? That’s the gist of this cornpone musical comedy, anyway. A well-received premiere at the Pioneer Theater Company promises ear-worm songs and laugh-out-loud galore.
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. The book is by Robert Horne, author of the Tony Award-winning “Tootsie,” with songs by Brandi Clark and Shane McAnally. Directed by Jack O’Brien everywhere.
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“LIFE OF PI” is the story of hope and survival between a 16-year-old boy and a Bengal tiger stuck on a lifeboat, first told in Yann Martel’s award-winning novel in 2002. A decade later , became an Oscar-winning film directed by Ang Lee, and recently adapted for the stage by Lolita Chakraborty – the 2021 West End production won five Olivier Awards. The boy lives, so a stop on Broadway seems like a good next step. Hiran Abe Sekara, who starred in London, will reprise the role of Pi, with Max Webster directing. No, there will be no real tigers in the cast. Puppet and movement direction is by Finn Caldwell, with puppet designs by Caldwell and Nick Barnes.
What’s the worst “Peter Pan Gone Wrong” that could happen? When Mischief Theater Company, which stages “The Play that Goes Wrong”, takes on the classic by J.M. Barrie on a child that does not grow, a few accidents are sure to fly. The farce, which premiered in the West End in 2015, hits Broadway this spring, with Adam Magiddo directing Chaos.
“Thanksgiving Game” You can’t make everyone happy… But you can try! A group of super-progressive artists create a culturally sensitive elementary school pageant that embraces both Thanksgiving and Native American Heritage Month (without the actual Native Americans participating) in this satirical comedy by Larissa Fasthorse. After a well-received premiere at Playwrights Horizons in 2018, the show is coming to Broadway, directed by Rachel Shavkin (“Headstown”).
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Jennifer Bareilles, left, and Margo Seibert in the 2018 Off-Broadway production of “The Thanksgiving Play.” Credit… Jenny Anderson for The New York Times
“New York, New York” What’s old is new when Broadway hosts a musical inspired by a 1977 film about young artists with big dreams in the big city after World War II. It’s not easy, but if they can do it here, they can do it anywhere (or so we say). The musical features classics like the title number, as well as new songs and a huge cast. The score is by Kander and Ebb, with an original story by David Thompson with Sharon Washington and additional lyrics by Lin-Manuel Miranda. Directed by Susan Stroman.
Like “Life of Pi” this spring, “ROOM” has gone from a best-selling novel to an award-winning film and now to a Broadway production. The play is adapted from Emma Donoghue’s 2010 novel about a mother and son who are imprisoned in a shed for years, incorporating song and some theatrical elements, such as a coming of age for young Jack. The essence of the story, however, about hope, imagination and resilience, remains the same. The songs are by Scottish artists Catherine Joseph and Cora Bissett and directed by Bissett (“Roadkill”).
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The casting of ‘Summer, 1976’ alone, with Laura Linney and Jessica Hatch, should bring it to the box office. Set in Ohio in the Bicentennial year, David Auburn’s latest story is about the budding friendship between Diana (Linney), an artist and single mother, and Alice (Hacht), a simple housewife. As the nation celebrates independence, women grapple with motherhood, ambition and intimacy and aim to realize their freedom. Directed by Daniel Sullivan.
“Good Night, Oscar” Sean Hayes plays Oscar Levant, the pianist, actor and genius who is impossible to describe in this new play by Doug Wright. Levant did a series of television interviews with Jack Parr when Levant spoke openly and perhaps a little sarcastically about his battles with depression and mental illness. The play opened last year at Chicago’s Goodman Theater to raves from the Chicago Tribune: “It’s a masterpiece of an important show: moving, sympathetic, deeply emotional and a little terrifying.” Expectations are in the air. Directed by Lisa Peterson.
“Killing Eve”, Jodie Comer in “PRIMA FACIE”, is sure to be a highlight of the spring season, so this captivating solo show is sure to be a highlight. The drama comes with trigger warnings – Comer plays a lawyer who ruthlessly defends men accused of sexual assault, but then suddenly finds himself on the witness stand. Comer won the 2022 Evening Standard Award for Best Actress for a West End performance of the role. This play by Suzy Miller is directed by Justin Martin.
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BEDLAM THEATER Those of us who grew up in New England think that Lizzie Borden did – she killed her mother 40 with an ax, and when she was done, she gave her father 41. who was actually acquitted of the murder of his father and stepmother in 1893 in Fall River, Mass. and disappointment.
After the play, Bedlam stages “The Good John Proctor,” by Taylene Monahon, a prequel to Arthur Miller’s “The Crucible,” which focuses on the young women of Salem in the period who are haunted by witchcraft .
BLACK ODYSSEY author Marcus Gardley knows his classics and has created imaginative riffs on Molière’s Tartuffe and Federico García Lorca’s The House of Bernarda Alba. Now we turn a little more to Homer’s story of Odysseus, about a warrior who faces difficult challenges to find his way home. Gardley puts us in contemporary Harlem, where the soldier Ulysses Lincoln relies on his ancestors and family history to help him on his journey to reunite with his family. Steve Walker-Webb (“Ain’t No Mo”) directs.
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“How to defend yourself” After being violated by a bully sister, some college students start their own self-defense class. And as they find a place to vent their anger, they struggle with how best to respond – seek systemic change, or learn to cope. or both? Liliana Padilla’s play was produced at the Victory Gardens Theater in Chicago and won the 2019 Yale Drama Series Award. The Off-Broadway production will be directed by Padilla, Rachel Chavkin and Steph Paul.
“The Coast STARLIGHT” refers to the daily Amtrak route between Los Angeles and Seattle, with incredible scenery along the way. Keith Bannon’s play – which premiered at the La Jolla Playhouse in 2019 – explores what goes on in the minds of many people who travel alone on this train and their encounters with each other in a different reality. At least one of them carries a dangerous secret. Directed by Tyne Raffaele.
“The Strange End of Prudencia Hart” It’s hard to believe it’s been 12 years since I fell in love with this National Theater of Scotland production at the Edinburgh Festival Fringe. This wild tale of a stuffed academic who attends a conference in a Scottish border town and somehow, realistically, ends up dancing with the devil is told in an immersive style that can be addictive for a member of the audience You can take it literally – the show is staged in a pub atmosphere at the McKittrick Hotel, as it was in Edinburgh and at the hotel in 2016-17. Writer David Gregg (“Events”) has a knack for whimsy and fantasy, and “Prodencia” isn’t likely to get old anytime soon.
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“White Girl in Peril” Tired of being a “black soil player” on the all-white soap opera Town, Keisha Gibbs takes center stage in this new musical comedy with books, music and lyrics by Tony and Pulitzer Prize winner Michael R. I’m committed to Jackson (“A Strange Loop”). And as you can guess from the title, Jackson’s mash-up of soaps and melodramatic movies really has a killer. Directed by Liliana Blaine Cruz.
From left, Liz Lark Brown, Latoya Edwards and Natasha Yvette Williams at a reading of “White Girl in Peril.”
“DÍA Y NOCHE” This coming-of-age story, set in El Paso, Texas in 1984,
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